Listening to any Kyler England song, it’s easy to believe you’re hearing a classic in the making: gorgeous, organic pop music that speaks to your heart like a close friend. Her soulful voice draws you in with its fragile strength, then leaves you breathless when it soars to brilliant heights. She sings like you’d always wished you could, with all the raw honesty of your most painful moments and all the beauty of your fiercest hopes. There is something universal going on here, something magical. Comparisons to Sarah McLachlan and Patty Griffin are mere approximations; Kyler has a style and charisma all her own. But it...
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Kyler England
Singer-Songwriter / One-fourth of critically acclaimed LA band The Rescues
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Listening to any Kyler England song, it’s easy to believe you’re hearing a classic in the making: gorgeous, organic pop music that speaks to your heart like a close friend. Her soulful voice draws you in with its fragile strength, then leaves you breathless when it soars to brilliant heights. She sings like you’d always wished you could, with all the raw honesty of your most painful moments and all the beauty of your fiercest hopes.
There is something universal going on here, something magical. Comparisons to Sarah McLachlan and Patty Griffin are mere approximations; Kyler has a style and charisma all her own.
But it’s not only her voice. There’s a good reason why Kyler England has won numerous songwriting awards, and garnered such acclaim for her recent album “A Flower Grows In Stone,” including Best Alternative Rock Album of 2004 in the Indie Acoustic Project Awards. With a natural instinct for melody and lyrics, honed during a stint at the renowned Berklee School of Music, she crafts songs that are not only addictively catchy but full of depth. The simplicity of her words, which matches her crystal-clear, elegant sound, nonetheless conveys a deep well of emotion and wisdom–for even in her darkest material, there is always the glimmer of optimism.
Kyler’s strengths are front and center on her new EP “The Green Room Sessions”, masterfully produced by longtime collaborator Richard Oliver Furch. In “No More Sad Songs,” she muses “Why is it always me/seeing question marks in places/where the answers used to be,” before making a plaintive but reaffirming statement:
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An Evening With Kyler England
