Pulitzer Prize-winning Artist/Illustrator, Author of MAUS, In the Shadow of No Towers, & Breakdowns
Art Spiegelman has almost single-handedly brought comic books out of the toy closet and onto the literature shelves. In 1992, he won the Pulitzer Prize for his masterful Holocaust narrative Maus— which portrayed Jews as mice and Nazis as cats. Maus II continued the remarkable story of his parents’ survival of the Nazi regime and…
Art Spiegelman has almost single-handedly brought comic books out of the toy closet and onto the literature shelves. In 1992, he won the Pulitzer Prize for his masterful Holocaust narrative Maus— which portrayed Jews as mice and Nazis as cats. Maus II continued the remarkable story of his parents’ survival of the Nazi regime and their lives later in America. His comics are best known for their shifting graphic styles, their formal complexity, and controversial content.
In his lecture, “What the %@&*! Happened to Comics?” Spiegelman takes his audience on a chronological tour of the evolution of comics, all the while explaining the value of this medium and why it should not be ignored. He believes that in our post-literate culture the importance of the comic is on the rise, for “comics echo the way the brain works. People think in iconographic images, not in holograms, and people think in bursts of language, not in paragraphs.”
Having rejected his parents’ aspirations for him to become a dentist, Art Spiegelman studied cartooning in high school and began drawing professionally at age 16. He went on to study art and philosophy at Harpur College before becoming part of the underground comix subculture of the 60s and 70s. As creative consultant for Topps Bubble Gum Co. from 1965-1987, Spiegelman created Wacky Packages, Garbage Pail Kids and other novelty items, and taught history and aesthetics of comics at the School for Visual Arts in New York from 1979-1986.
In 2007 he was a Heyman Fellow of the Humanities at Columbia University where he taught a Masters of the Comics seminar. In 1980, Spiegelman founded RAW, the acclaimed avant-garde comics magazine, with his wife, Françoise Mouly—Maus was originally serialized in the pages of RAW. Before being published by Pantheon, who have published many of his subsequent works including illustrated version of the 1928 lost classic, The Wild Party, by Joseph Moncure March.
He and Mouly more recently co-edited Little Lit, a series of three comics anthologies for children published by HarperCollins (“Comics-They’re not just for Grown-ups Anymore”) and Big Fat Little Lit, collecting the three comics into one volume. Currently, he and his wife publish a series of early readers called Toon Books—picture books in comics format. They have co-edited A Toon Treasury of Classic Children’s Comics (Fall 2009). His work has been published in many periodicals, including The New Yorker, where he was a staff artist and writer from 1993-2003.
In 2004 he completed a two-year cycle of broadsheet-sized color comics pages, In the Shadow of No Towers, first published in a number of European newspapers and magazines including Die Zeit and The London Review of Books. A book version of these highly political works was published by Pantheon in the United States, appeared on many national bestseller lists, and was selected by The New York Times Book Review as one of the 100 Notable Books of 2004.
Spiegelman’s work also includes a new edition of his 1978 anthology, Breakdowns (Fall 2008); it includes an autobiographical comix-format introduction almost as long as the book itself, entitled Portrait of the Artist as a Young %@&*!; as well as a children’s book (published with Toon Books), called Jack and the Box. In 2009 Maus was chosen by the Young Adult Library Association as one of its recommended titles for all students (the list is revised every 5 years and used by educators and librarians across the country). McSweeney’s has published a collection of three of his sketchbooks entitled Be a Nose. A major exhibition of his work was arranged by Los Angeles Museum of Contemporary Art, as part of the “15 Masters of 20th Century Comics” exhibit (November 2005). In 2005, Art Spiegelman was named one of Time Magazine’s 100 Most Influential People and in 2006 he was named to the Art Director’s Club Hall of Fame.
He was made an Officier de l’Ordre des Arts et des Lettres in France in 2007 and—the American equivalent—played himself on an episode of “The Simpsons” in 2008. In fall 2011, Pantheon published Meta Maus, a companion to The Complete Maus – it is the story of why he wrote Maus, why he chose mice, cats, frogs, and pigs, and how he got his father to open up (the new book includes a DVD of the transcripts of Art’s interviews with his father; it is not a graphic novel, but it is populated with illustrations, photos and other images). MetaMaus has been awarded the 2011 National Jewish Book Award in the Biography, Autobiography, and Memoir category.
His newest work is a book produced in collaboration with renowned French artist JR titled The Ghosts of Ellis Island.
In 2011, Art Spiegelman won the Grand Prix at the Angoulême International Comics Festival, marking only the third time an American has received the honor (the other two were Will Eisner and Robert Crumb). The honor also included a retrospective exhibition of his artwork, shown in the Pompidou Center and traveled to the Ludwig Museum in Cologne, the Vancouver Art Gallery, the Jewish Museum in NYC, and the last stop at the AGO Art Gallery of Ontario.
The accompanying book is CO-MIX: A Retrospective of Comics, Graphics, and Scraps. His project, WORDLESS!,a multimedia look at the history of the graphic novel, had its world premiere at the Sydney Opera House in October 2013 and its US premiere at the Brooklyn Academy of Music in January 2014.
In 2015 he was elected a member of the American Academy of Arts and Letters.
Ernie was perfect for our Elders Conference at Little River Casino Resort in Manistee, Michigan. We will definitely be using PDA again!
LITTLE RIVER BAND OF OTTAWA INDIANS
Our speaker was great and the crowd enjoyed her! She was very engaging. Thank you again PDA for the great list of suggestions!
Everything went great! and our speaker was wonderful! Thank you so much for all your help PDA! Looking forward to the next one.
UNIVERSITY OF MISSOURI – KANSAS CITY
I hope that this message finds you well. We had a phenomenal time with Atsuko this past Thursday. We wanted to just let you know how amazing she was. All those that were in attendance thoroughly enjoyed her and had nothing but amazing things to say about her. Thank you for working with us to make sure this happened!
BAYLOR UNIVERSITY CAMPUS
We had a fantastic day with Inge! She was very engaging with all those that attended. Her personal stories about the holocaust were very special and we were moved that she was willing to share them with everyone. Thank you again, PDA for all your hard work and dedication to make this program such a success!
SALT LAKE COMMUNITY COLLEGE
Dear PDA Group, Thank you so much for your hard work in scheduling our speaker! From the moment we reached out to you the first time, you worked with us on all details and logistics and kept us up-to-date on the progress. Thank you for all your hard work on making our event such a success! We couldn't have done it without you and your team!
Thank you again, Dr. Kimbrough, for a great presentation, our attendees are still talking about it!
Dr. Henry Lee's presentation was entertaining, insightful and wise. I, and everyone at Pfizer, especially appreciate the remarks you directed about following your passion and preparing yourself to excel. Thank you, everyone, at PDA for helping to make this happen!
The event was successful! I received many messages expressing how awesome, outstanding and inspiring Ms. Webb-Christburg's speech was."
DR. MARTIN LUTHER KING, JR. MEMORIAL BREAKFAST, BOSTON, MLK SPEAKER
Everything went well. Atsuko was very easy to work with and the students enjoyed her performance! Thank you again for your recommendation and I hope to work with you again in the future!
CENTRAL MICHIGAN UNIVERSITY
Dr. Novello left this morning after a very successful event on our campus! Thank you PDA Group for your help from the first phone to the last you were with us every step of the way.
GRAND VALLEY STATE UNIVERSITY
Jordan Carlos was very very entertaining! A majority of students who answered the event survey indicated they really enjoyed Jordan and definitely will bring him back!
WESTERN CAROLINA UNIVERSITY
On behalf of myself and my organization Entertainment Unlimited the Campus Programming Board of Ferris State University, we thank you PDA and Dan for a successful event!! Dan was magnificent! Students really enjoyed the presentation. I know I did. Can't wait to bring in more programs with PDA Group.
FERRIS STATE UNIVERSITY
It was a great pleasure to work with PDA Group! The communication was always prompt, friendly and helpful. We loved the speakers and events we booked through Mr. Peter Walker (PDA Group).
WESTERN MICHIGAN UNIVERSITY
Thank you, Peter, for all your help, you'll be happy to know that the event went incredibly well! Aneesa Ferreira was by far one of the best speakers we've ever had!
What the %@&*! Happened to Comics?”
A Lecture with Images by Art Spiegelman
Art Spiegelman’s comics are best known for their scratch-board, illustrative style and controversial contents. In his talk “What the %@&*! Happened to Comics?” he takes his audience on a chronological tour of the evolution of comics, all the while explaining the value of this medium and why it should not be ignored. He believes that in our post-literate culture the importance of the comic is on the rise, for “comics echo the way the brain works. People think in iconographic images, not in holograms, and people think in bursts of language, not in paragraphs.”
Neil Gaiman in Conversation with Art Spiegelman
"Cartoonist Lives Matter": Art Spiegelman Responds to Charlie Hebdo Attack, Power of Cartoons
1 HOUR OR LESS